{"id":594,"date":"2020-08-06T16:03:41","date_gmt":"2020-08-06T14:03:41","guid":{"rendered":"https:\/\/dev.webtraxlab.com\/poggiobaronti\/artigianato-artistico\/"},"modified":"2020-09-22T21:13:09","modified_gmt":"2020-09-22T19:13:09","slug":"artistic-craftsmanship","status":"publish","type":"page","link":"https:\/\/www.poggiobaronti.com\/en\/artistic-craftsmanship\/","title":{"rendered":"Artistic craftsmanship"},"content":{"rendered":"

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GIULIO GIANNINI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Giulio Giannini e Figlio
\nEstablished in 1856, the Giulio Giannini e Figlio Art Studio boasts quality artistic craftsmanship, by now a centuries-old tradition passed down from father to son for six generations. Guido Jr Giannini and Maria Giannini today continue the activity of the old Studio, having given great impetus to the production of so-called \u201cmarbled\u201d handmade paper, which is used to cover objects that have always been characteristic of Giannini production. The leather and paper processing techniques are, still today, those used in ancient times and the materials used are always chosen from those of the highest quality.<\/p>\n

Giulio Giannini e Figlio
\nP.zza Pitti, 37\/R
\n50125, Firenze
\nTel. +39 055 212621
\nwww.giuliogiannini.it<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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MARIA TERESA SOTTILE<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]MARIA TERESA SOTTILE
\nMaria Teresa Sottile is a goldsmith and jewellery designer who works in Florence. She has carried out this ancient and noble activity for almost twenty years with versatile sensitivity and effortlessly ranges from a traditional style to more modern expressions. Her portfolio reveals her continuous collaborations with fashion designers, exploring new trends and pushing the boundaries of the world of accessories. Using both silver and gold, her creations often include precious or semi-precious stones and emphasise the brutal appearance and natural beauty of the metals and gems. Her creations can be found in Italy\u2019s top boutiques and form part of the collections of international clients.<\/p>\n

Maria Teresa Sottile
\nVia d\u00e8 Guicciardini 16
\n50125 Firenze
\nTel.+39 3387425653
\nmariateresasottile.blogspot.com<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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CECILIA FACIAI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Cecilia Falciai
\nSpecialising in the processing of scagliola and in the Florentine mosaic technique in semi-precious stones and marble, she creates table tops, panels, paintings and furniture accessories, carries out restorations and creates small lines of costume jewellery and objects. She learned the trade from her father, also a Florentine craftsman, opening her workshop to continue the family tradition and at the same time to express her personal vision.<\/p>\n

Cecilia Falciai
\nVia De\u2019 Macci 25\/r
\n50122 Firenze
\nceciliafalciai@gmail.com
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UGO POGGI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Ugo Poggi
\nEven today, the processing is carried out with quarry-extracted clay in front of the furnace, with ancient techniques performed exclusively by hand. With great mastery and skill, using only basic tools such as a wooden rod, a sponge, a stick and a piece of cotton, the clay is shaped and moulded, moving the position of the fingers by just a few millimetres. The shaping of the clay, drying, filling of the kiln, firing, and cooling are all very delicate phases requiring great commitment and ability that can only be achieved with lengthy experience and attention.<\/p>\n

Ugo Poggi
\nVia Imprunetana per Tavarnuzze, 16
\n50023 Impruneta – Firenze
\nTel. +39 0552011077
\nwww.poggiugo.it<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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OFFICINA S.M. NOVELLA<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Officina Santa Maria Novella
\nSince the Middle Ages, friars have cultivated Balsamite, considered to be a plant rich in herbal properties. This magical herb inspired Fra\u2019 Angiolo Marchissi who, in 1614, created Acqua Antisterica, now known as Acqua di Santa Maria Novella. Acqua di S. M. Novella is Officina\u2019s oldest fragrance. In fact, it is the scent that Catherine de\u2019 Medici commissioned from the Dominican friars in 1533 which she took to France on the occasion of her wedding to Henry III.<\/p>\n

Officina Santa Maria Novella
\nNegozio Museo
\nVia della Scala, 1650123 Firenze
\ntel. +39 055 216276
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LOCCHI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Moleria Locchi has been creating glass and crystal items for the table and interior decoration since the late 1800s when, in the district of San Frediano, at the heart of the Florentine Oltrarno, an artisan workshop was opened, creating beautiful glasses for use on luxury ships and in opulent hotels seeking extraordinary refinement.
\nLocchi
\nVia Domenico Burchiello,10
\n50124 Firenze
\nTel. +39 055 2298371
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PAMPALONI ARGENTI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Pampaloni Argenti
\nThe family home in which we were born and brought up is located above our factory. For us, the noise of the machines is a reassuring sign of the life of the company that our grandfather founded over one hundred years ago, in which we have worked since we were young. During our childhood, we spent our summers learning the basics of jewellery making. While we learned that the \u201chandmade\u201d is often difficult and repetitive, we developed respect for the machines that assisted us in our work. Machines are poetic instruments; like poetry, they help us to create but they never tire.<\/p>\n

Pampaloni Argenti
\nVia Porta Rossa
\n50123 Firenze
\nTel:+39 055 289094
\nwww.pampaloni.com<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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BARTOLOZZI E MAIOLI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Bartolozzi e Maioli
\nThe Bartolozzi and Maioli Art Studio was founded in 1938. From the very early years of its activity, it collected many examples of wooden artefacts recovered from the dismantling of churches in central Italy during the liturgical reform. The findings, albeit incomplete, all date back to the 18th century. That collection is still displayed and used today, along with structural restorations, in which the style must be perfectly recreated, avoiding any errors of execution. Today, the Bartolozzi and Maioli Art Studio is run by Fiorenzo Bartolozzi\u2019s daughter, Fiorenza, and is seen as a typical continuation of Florentine Renaissance studios.<\/p>\n

Bartolozzi e Maioli
\nVia dei Vellutini, 5R
\n50125 Firenze
\nTel:+39 055 281723
\nwww.bartolozziemaioli.it<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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TAKAFUMI MOCHIZUKI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Zouganista di Takafumi Mochizuki
\nA craftsman specialising in inlaying, born in Tokyo in 1979, he has lived in Florence since 2007. From 2008 at the workshop of the master restorer Renato Olivastri, he learned the art of restoring antique furniture and wood inlaying. In 2014 he opened a boutique in San Frediano where he applies a personal inlaying method, not only on classic pieces of furniture but also on objects having curvilinear shapes, such as shoes, hats, lamps, hangers, creating unique and particular items.<\/p>\n

Zouganista di Takafumi Mochizuki
\nVia dei Cardatori 20\/r,
\n50124 Firenze
\nTel:+39 3318223767
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MAZZANTI PIUME<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Mazzanti Piume
\nFor three generations Mazzanti Piume has made dreams come true. In 1935, my grandmother, Natalina Mazzanti, began her craft business transforming feathers and silk flowers into precious ornaments for hats and dresses. My interest in the family business began when I was small as I would spend my days, after school, in the company, enchanted by the skill and patience with which the vast ranges of feathers were produced. The company is still family-run today. My father and I seek to mix tradition and innovation harmoniously, using the same artisan techniques passed down passionately for three generations.<\/p>\n

Mazzanti Piume
\nvia Reginaldo Giuliani, 144\/int
\n50141 Firenze
\nTel:+39 055 431752
\nwww.mazzantipiume.it<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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SUPERDUPER HATS<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]SuperDuper Hats
\nThe use of the finest raw materials, linked to local artisan production, is combined with an extremely creative approach. SuperDuper Hats is actually entirely based upon local Tuscan production. Thanks to this approach, we have developed our personal vision and our \u201cgreen\u201d and ethical production and stock management.<\/p>\n

SuperDuper Hats
\nVia delle Cascine 33
\n50144 Firenze
\nwww.superduperhats.com<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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MANNINA<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Mannina
\nOur shoes, completely handmade and tailored, meet the tastes of men and women who like to wear the classicism of timeless elegance, distinguished by the quality of the materials used and by the style that has always made our work unique.<\/p>\n

Mannina
\nVia Guicciardini 16r
\n50122 Firenze
\nTel. +39 055 282895
\nwww.manninafirenze.com<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row padding_top_multiplier=””][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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TOMMASO DE CARLO<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Tommaso De Carlo, after specific professional studies at the Florence Art Institute, began collaborating with various Florentine artisan workshops. In the 1980s, De Carlo started his own business, welcoming and training new recruits and simultaneously developing fruitful collaborations with architects and interior designers.<\/p>\n

Tommaso de Carlo
\nVia Giano Della Bella, 20\/1
\n50124 Firenze
\nTel.+39 055\/224128
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LAURA DE CESARE<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]LAURA DE CESARE
\nFabric language is a code. For me, it was also a code of life. Weaving, designing and creating fabric taught me to order my thoughts. The weaves were and still are a source of great joy, a channel for accessing the wonder of Life. What I like most is studying and working on the third dimension of the fabric. Generally, the result of this game, for which I have developed a passion, consists of sculptures or decorative panels. When I have get opportunity to get to know and try out new materials, I always accept the challenge.<\/p>\n

Laura de Cesare
\nVia Montanelli 83,
\n56121 Pisa
\nTel:+39 328 355 4303
\nwww.lauradecesare.it<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner]

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LORETTA CAPONI<\/span><\/h3>
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\r\n\t\t\t\t\t\t\t[vc_column_text]Loretta Caponi
\nCraftspeople do not like repetition; they love to conserve ancient techniques, so as not to lose – even from a cultural perspective – very important manual skills, but they experiment with each work differently, to achieve increasingly new and improved results. Each \u2018creation\u2019 is made specifically for each client and then scrupulously filed away with the name and surname, samples of the fabrics and threads used, to avoid it being repeated for others. Unique pieces that, of course, involve a great deal of effort, but in fact they are a great stimulus for creating new designs in terms of shapes and sets of colours.<\/p>\n

Loretta Caponi
\nVia delle Belle Donne 28\/R
\n50123 Firenze
\nTel: +39 055 213668
\nwww.lorettacaponi.it<\/a>[\/vc_column_text]\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row padding_top_multiplier=””][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row padding_top_multiplier=””][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row padding_top_multiplier=””][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row padding_top_multiplier=””][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″][vc_row_inner][vc_column_inner][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-594","page","type-page","status-publish","hentry"],"yoast_head":"\nArtistic craftsmanship - 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